Acting Tutor Profiles
 
Julian Caddy
Julian is an actor, director and producer. He has produced shows at the Edinburgh Fringe Festival since 1996 and has been Director of Sweet Venues since 2003. Over this time he has programmed, directed or produced close to 400 shows attracting audiences of over 75,000 people.  He has also produced, co-produced and promoted numerous theatre tours both across the UK/Ireland and around the world. He is currently working with Shakti from the Garage International, producing shows at the Adelaide and Avignon Festivals.
 
As an actor he has toured nationally with Broadway Theatre Company (Golden Boy) and Opera Piccola (The Barber of Seville and La Traviata). Other theatre includes Prisoner of War (Hen and Chickens), Great Expectations (Shaw Theatre) and Three Sisters (Edinburgh Festival and Moscow Arts Theatre). TV includes Reality Check (Channel 4), Kenneth Williams: Fantabulosa! (BBC4) and Tableau of Love (AIM Image Productions).  He has also featured in numerous television commercials including BT, British Gas, Kingsmill Bread, Kohler (USA), NatWest, Nikol's (Israel), BBC TV Licensing and Heat Magazine. Click here for more information.
 
Julian trained for 4 years with the late Sam Kogan, an acclaimed Russian teacher and director (alumnus of GITIS in Moscow under Maria Knebel, a student and colleague of Constantin Stanislavski) at what is now known as ASAD (the Academy for the Science of Acting and Directing). Julian's teaching combines the Kogan and Stanislavski techniques.
 
 
Odette Garvey
Odette Garvey is an actress, director and teacher.  As an actress she has appeared nationally including An evening with Gary Lineker York Theatre Royal, Wind in the Willows Chester Gateway Trap for a lonely Man Wimbledon Theatre and several operas for the Royal Opera House & Bath Theatre Royal.  Other credits include Baywatch, Casualty, Poltergeist Files, Solitaire for Two and adverts for Orange Mobile, Post Office, Bristol and West and the Daily Mirror.
 
Odette has trained in many varied techniques including four years at the Academy of the Science of Acting and Directing, one year of workshops at the Michael Chekhov Centre with Mala Powers and a six month placement at the Gate Theatre Notting Hill under Erica Wyman.  Mater classes include the Russian Academy of Arts Moscow, Stanislavski Centre in Barcelona and a Directors Guild members’ workshop with Peter Brook.
 
Teaching includes ASAD, Chelsea and Westminster College, Anglo Russian School.
 
Directing includes ‘Newsrevue 2003’ at The Canal Café Theatre in London and a sell out run in Edinburgh which received universally rave reviews.  Other directing includes Dolls House for Two Way Mirror Theatre, Cassandra at The Cockpit Theatre, La Ronde for The Tabernacle, Romeo & Juliet at Gravesend Civic Centre.  
 
Recently Odette has concentrated on documentaries including Hidden Gem Sky TV, Mozart Memories Austrian TV, and Rave on Wheels a film about the London rollerblading scene still in post production.
 
 
Adam Morley
Adam has worked as the assistant director at the Cockpit Theatre and also directed at The Watford Palace and Old Town Hall Theatre as well as the Bull Theatre Adam was also the theatre development officer at Verve Productions.  He then went to The Bournemouth Film School and after graduation started working for SFX and then moved to Transparent Productions UK working in commercials and Promos.
 
Adam has since written, directed and produced for clients including MTV, Nickelodeon, Toyota, Orange, Island Records, Jessops, Alliance and Leicester amongst others. Adam was nominated for a Cannes Lion Award in 2005 and was on the creative review Creative Futures shortlist for 2005.
 
He won The YDA Award at Cannes Lions in 2006 for a series of test films. Adam directed his first feature film in 2006 set for release in summer 2008 and has since directed a sci–fi series made specifically for the mobile phone as well as directing NewsRevue at the Canal Cafe Theatre (The World's longest running live comedy show). Adam has in 2007 directed for the British Amy was the creative director at Impact Universal and has just started work directing for an internet television channel.
 
 
Mitchell Mullen
Having recently arrived in the UK from his native America (hometown: Boston, Massachusetts) Mitchell Mullen has worked professionally as an actor/teacher for more than 20 years.
 
In the US, he was a company member at Maine’s Theater At Monmouth for 5 seasons, performing in more than 30 mainstage roles there including Thomas Gradgrind in Hard Times, Autolycus in The Winter’s Tale, Hastings in She Stoops to Conquer, Arlechinno in The Venetian Twins and Nicola in Arms and the Man. He has also logged more than 700 performances playing Tony Whitcomb in the hit American comedy “whodunit” Shear Madness (the longest running non-musical theatre piece in American history, over 25 years and still going strong!).
UK theatre credits include: The Canterville Ghost (Southwark Playhouse), Muscles! (Landor Theatre), Scotch and Water (Hen and Chickens), Parade (Edinburgh Festival) and Sir Peter Hall’s As You Like It (Rose of Kingston, US Tour).
Film credits include roles in The Kennedys of Massachusetts, Blown Away, and All The Rage. He has completed work on 4 films to be released in 2006: Infinite Justice, L.V.J., Big Nothing (with David Schwimmer and Simon Pegg) and A Good Year (with Russell Crowe).
 
He is a member of SAG, AFTRA and American Equity (as well as a proud member of British Equity).
 
He holds a BA in English and American Literature from Boston University as well as an MFA in Performance from the University of Wisconsin-Madison (where he taught acting for 3 years). He has studied acting with Billie Whitelaw and Michael Shurtleff , as well as  at the Herbert Berghoff Studios in New York.
 
His teaching methodology incorporates traditional Stanislavskian methods tempered with the more “modern” techniques and approaches of David Mamet and Michael Shurtleff, all in the context of scene study.
 
 
Jessica Swale
Jessica is a theatre practitioner, director and acting tutor. She is joint Artistic Director of Red Handed Theatre Company, a New Writing company which focuses on creating vibrant, original work. She is currently directing The Glass Tower by Katie Bonna for production in 2007 (London and tour), and regularly runs master classes and workshops for the company.

She trained at Central School of Speech and Drama, with an award from the AHRC, and graduated with an MA with Distinction in Advanced Theatre Practice- Directing. Previously she achieved a First Class Honours Drama Degree from the University of Exeter, having trained previously with Italia Conti part-time and at Linda Butler’s School of Dance.

She has worked as assistant director at the National Theatre with Out of Joint, for Max Stafford-Clark on The Overwhelming, and also for Greenwich Theatre with Jonathon Moore and the Northcott Theatre, Exeter, with Ben Crocker. She now directs freelance for a range of companies including New Zealand’s London based company, Shakey Isles Theatre and for a National Shakespeare festival. She has directed works including Cigarettes and Chocolate (Anthony Minghella), Be My Baby (Amanda Whittington), Twelfth Night (William Shakespeare), Animal Farm (George Orwell/ Peter Hall), Anansi (Alistair Cambell); A Midsummer Night’s Dream (William Shakespeare), 4.48 Psychosis (Sarah Kane), Amy’s View (David Hare), The Glass Menagerie (Tennessee Williams), Anowa (Ama Ata Aidoo) and several plays by new writer Colleen Campbell, including Between the Lanes and the verbatim play Sticks and Stones.

In addition to teaching acting, providing audition coaching and tutoring students for LAMDA exams, Jessica also works professionally as a dancer for Contrast Theatre Company. Her interest in movement and dance has influenced her work as a director and she enjoys creating physical theatre and using music in performance. She works as choreographer for a range of companies, and teaches a range of dance genres in London.

 
 


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